Morning Glory Antiques & Jewelry
at the

ANTIQUE CONNECTION MALL
and on the internet since 1996
12815 Central NE, Albuquerque, New Mexico, 87123  USA
~
Jane Haley Clarke, owner
Copyright 1996-2008 All rights Reserv
ed ©


Welcome to the beauty, history and art that is vintage jewelry. We buy and sell vintage costume, designer, bakelite and Victorian jewelry, purses and accessories.
To be alerted when new items are added, please e-mail jane@morninggloryantiques.com and we will be glad to add you to the contact list.
Please browse, enjoy yourself, and let us know if we can help you.
All jewelry is in excellent vintage condition unless specified otherwise.  All items are subject to prior sale.
We work constantly to offer extensive jewelry research, pictures and information in our references, " Jewel Chat " and " Morning Glory Collects ".
We do not, however, offer valuation or appraisal services or answer individual questions regarding jewelry or antiques. Appraisers can be found on the LINKS page.
 

Morning Glory Antiques & Jewelry
~~ SEARCH Jewelry for Sale ~~


Morning Glory Antiques & Jewelry presents
~

JEWEL CHAT
Costume Jewelry Magazine

 

 

WHAT'S IT MADE OF?
Identifying The Materials In Antique & Vintage Jewelry

by
Sheryl Gross Shatz

Certified Gemologist, SCC
SGShatz@aol.com

 


W
ondering what that black brooch you just purchased is made of? Can't decide if your white necklace is bone or ivory? You are not alone. Figuring out the materials in antique and vintage jewelry can be challenging - but, you can learn to do it! And do it correctly.

You do not need to guess at an item's composition or put it out for sale not knowing what it is made of. Correct materials identification is very important in evaluating a piece. Sometimes it is the most important factor in pricing a piece of jewelry. You do not need a laboratory full of equipment to do this. You already have the most important tools - your own senses.

 

 

 

GENERAL GUIDELINES

Compare Known With Unknown

Whenever possible compare a known with your unknown. Often the identification becomes obvious when this is done. Ask a knowledgeable and willing collector or seller to let you handle some items. Most people will be anxious to share their treasures and information with you.

Handle A Lot Of Jewelry - Often (the fun part!)

The more jewelry you handle, the easier it becomes to identify jewelry materials. With experience comes accuracy. Go to auction previews, attend antique and collectible shows, and visit dealers who have jewelry for sale. Examine and hold pieces; try them on. Read, take classes and attend a seminar! The more you know, the easier it becomes.

Keep An Open Mind

Think first of the most common and not of the rarest material. Usually materials of similar value are found together, but , remember that humans are creative. We make changes and by the time you see an item it may not be the same as when it was originally crafted.

Keep A Timeline In your Head

Knowing when certain materials and findings were first patented and used can help you identify materials. Having knowledge about what materials were used with particular styles can also help. I suggest the Timeline in Warman's Jewelry by Christie Romero.

Make More Than One Observation Or Test

"It's orange, ooh! it must be coral!" Not necessarily. Try not to jump to conclusions. Do several tests and make more than one observation before deciding what your article is made of.

 

 

USING YOUR SENSES

SIGHT Get the piece into good light. Natural daylight is best but when indoors or at night, incandescent lighting works better than fluorescent. If the item is dirty, gently wipe it off with a soft cloth. Do not use water or any cleaning solutions until you know what the material is.

Examine the article looking at all four sides including all findings.

Next examine it using a loupe (ten power magnifying lens).

Note the color:

Color that is evenly distributed throughout the piece usually means it's a synthetic product.

Color that has different zones, various shades, throughout the piece, means it is most likely a natural product.

TOUCH

Each material has its own weight and temperature you can learn to recognize:

For example, JET is very light weight in relation to its size or when compared with another non-jet item of the same size.

Most NATURAL materials mined from the ground feel icy cold.

GLASS and PLASTICS are much warmer; they feel room temperature.

HEARING

Each material has its own sound or resonance you can learn to recognize.

For example, Tapping together two pieces of most plastics gives off a high pitched clicking sound but two pieces of BAKELITE gently knocked together give off a deep clunk.

 

   

 

OTHER TESTS

Beyond using your senses there are additional tests you can do. The goal is to identify your jewelry's material without causing damage to the piece. Some of these additional tests can mar your item; so be aware and be careful. Always test on an inconspicuous place.

LEMON JUICE is one such "testing" solution which can cause damage. When you place a drop of juice on shell or coral (except black coral) and look at the item with a loupe, you will see tiny bubbles. However, if the lemon juice is not immediately rinsed off with cool water, it can etch (remove the finish) from the piece.

LEARNING MORE

The information above is to get you started. There is more to learn and it is not difficult. With a little effort you can correctly identify the materials in antique and vintage jewelry so you can buy and sell with confidence

 

 

To order a copy of "What's It Made Of? A Jewelry Materials Identification Guide"
please send $16.00 (covers postage and handling) to:

 Arnold Shatz

10931 Hunting Horn Drive

Santa Ana, CA 92705-2499

Or email:

SGShatz@aol.com

 

E-mail me HERE

Click here to order by secure server
 

We also accept PayPal

ABOUT US
TOUR OUR MALL
ANTIQUES IN ALBUQUERQUE
VISIT NEW MEXICO

LINKS-Jewelry
LINKS-Antiques

 Morning Glory Antiques & Jewelry                                         


HOME

NEW ADDITIONS

JEWEL CHAT MAGAZINE
MORNING GLORY COLLECTS


JEWELRY VALUES
JEWELRY MARKS & DATES

ACCESSORIES
BAKELITE BANGLES
BAKELITE PINS & RINGS

BAKELITE, SHULTZ
BOHEMIAN GARNETS
BOUCHER
BRACELETS, unsigned
CAMEOS
CARNEGIE
CAVINESS
CHRISTMAS
CINER
CLIPS, Dress & Fur, signed

CLIPS, Dress & Fur, unsigned
CLOTHING
COMPACTS
COPPER JEWELRY
CORO
CZECH

 

DECO
DE MARIO
DE ROSA

DIAMOND & GOLD JEWELRY
EISENBERG
EDWARDIAN
1960s ENAMELED FLOWER BROOCHES
EUGENE
FILIGREE
FINE JEWELRY
FLORENZA
HASKELL
HOBE

IRADJ MOINI
JEWELRY BOXES & CASKETS
JULIANA
LOCKETS
LORGNETTES & CHATELAINES
MATISSE RENOIR
NECKLACES, signed
NECKLACES, unsigned

PLASTIC JEWELRY

PORTRAIT JEWELRY
PURSES

REGENCY


REJA
RINGS
ROSENSTEIN
SASH PINS
SCHIAPARELLI
SCHREINER
SETS & PARURES
SEWING ITEMS
SIGNED JEWELRY
STERLING
STARET
SWAROVSKI
TRIFARI
UNSIGNED brooches
UNSIGNED bracelets
UNSIGNED necklaces
UNSIGNED earrings 
VENDOME
VICTORIAN
VICTORIAN Hair Jewelry
VICTORIAN Photo Jewelry
VICTORIAN Silver Jewelry
VICTORIAN Jet Jewelry
VRBA
WEISS

WOOD

TO ORDER

PLEASE NOTE: Regretfully, it is no longer possible to respond to individual questions regarding jewelry history, identification or value, or to offer written or verbal appraisals or opinions. The demand for this kind of information is absolutely too overwhelming for one dealer to fill. 
I love jewelry, but appraising and selling are two entirely different businesses, and I choose selling as my business.

Instead, articles are added on a regular basis to JEWEL CHAT on line Magazine, a wonderful reference for  information on many makers and styles of vintage jewelry. 
For information on valuing your jewelry, click HERE.